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“I think he’s telling the truth,” says Tyrnauer. He’s checked out a number of Bowers’ stories, and he notes that he’s described things about different people’s family lives or the layouts of their homes that would have been known to only a few. That answer may not satisfy every viewer, and some will be skeptical about Bowers’ claims, which come without much in the way of tangible proof.
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His response is two-fold: “They’re all gone” and “What’s wrong with being gay?” Why, he wonders, is Bowers writing things that might upset their children or grandchildren. He’s told his story in a memoir, “Full Service: My Adventures in Hollywood and the Secret Sex Lives of the Stars,” and Tyrnauer captures a prickly encounter with a reader who challenges Bowers about sharing details of these actors’ lives without their consent. Not everyone is thrilled that Bowers is opening Tinseltown’s closet door. “He’s extraordinary in that he was born without the type of shame that a lot of us are born with and carry with us,” says Tyrnauer. He was so open to sexual experiences with women and men that he was a key subject and a kind of unicorn for Alfred Kinsey, the famous sex researcher. Maybe it was the carnage he witnessed, but he emerged from that crucible with virtually no inhibitions. In World War II, Bowers was in the thick of some of the fiercest fighting in the Pacific, including at the Battle of Iwo Jima. “He approaches everything in life with the same type of interest and enthusiasm - whether it’s a tree he trimmed or the most incredible sexual assignation,” says Tyrnauer, who was connected to Bowers thanks to a friendship with Gore Vidal. Bowers looks less like a sexual rebel than a grandfather who still puts in time on the treadmill. In between dishing on Walter Pidgeon’s dalliances, he’s seen puttering around his over-stuffed bungalow or scaling the roof to do some maintenance work. The 94-year-old Bowers commands the film, armed with an ever-present smile, while talking unabashedly about his many love affairs. But its central character is the key to its charm. Film Festival, where the pic is playing, as well as looking for North American distribution. The stories of orgies involving some of the most beloved film stars in history are what will attract buyers at the Toronto Intl. Scotty lifts the lid on this image of conformity and unveils the hypocrisy of all that.”
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“This was the post-production code period when studios pledged to produce wholesome content with this image of a white-washed, white-picket fenced America, with the house and two kids and dog. “Scotty presents a counter-narrative to the Hollywood myth that was operating at its peak in the decades after World War II,” says Tyrnauer.